Ebook Music Theory for Guitarists: Everything You Ever Wanted to Know But Were Afraid to Ask (Guitar Method), by Tom Kolb
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Music Theory for Guitarists: Everything You Ever Wanted to Know But Were Afraid to Ask (Guitar Method), by Tom Kolb
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(Guitar Method). Guitarists of all levels will find a wealth of practical music knowledge in this special book with online audio access. Veteran guitarist and author Tom Kolb dispels the mysteries of music theory using plain and simple terms and diagrams. The accompanying recordings provide 94 tracks of music examples, scales, modes, chords, ear training, and much more! To access audio visit: www.halleonard.com/mylibrary
- Sales Rank: #6835 in Books
- Brand: Hal Leonard
- Model: 695790
- Published on: 2008-02-25
- Released on: 2005-05-01
- Original language: English
- Number of items: 1
- Dimensions: 12.00" h x .29" w x 9.00" l,
- Binding: Paperback
- 104 pages
- Tablature: Yes104 pagesSize: 12" x 9"Author: "Tom Kolb"ISBN: 063406651X
Most helpful customer reviews
4 of 4 people found the following review helpful.
Not for guitarists that can't read music
By Ben F.
Notice that in all positive reviews the reviewer has had some kind of prior music experience whether it be playing in band or orchestra in high school or whatever.
If you, like myself, have no prior musical experience, or you're a guitar player that has been getting by on the pentatonic scale and few others, some chords and learning from tabulature, this book might as well be written in Greek. Terminology is used with no glossary. The book begins with the equivalent of simple addition and goes to calculus by page 5 if you're inexperienced.
Like prior reviewers mentioned, this is really a reference book for people that have already learned these concepts on another instrument.
Not for beginners.
3 of 3 people found the following review helpful.
Great book! Even if you do not know how to read music
By guitarsailor
I play guitar for almost 40 years and played lead guitar professionally for 15 years. This book is very good and very useful even if you do not know how to read music as everything is shown in guitar-tab format as well. You should know how to read chords like am7 or cmaj7 though.
I happen to know more than average about music theory but I found some interesting areas that I did not take in consideration before and it gave me some new ideas and inspirations.
I think this book will be very useful for any serious guitar player starting at the a early-advanced level. I would say it should be a "must" for the advanced player who wants to complete his/her knowledge about music theory on the guitar.
Something for everyone - and the audio samples are really cool!
257 of 262 people found the following review helpful.
Comprehensive, intuitive guide for the guitarist wanting to understand theory...
By A. Meier
I have been a musician all of my life, since the age of 4, and a guitarist for a decade, since the age of sixteen. I was in high school orchestra and took guitar lessons for a few years, but at no time during any of this did any of my instructors really help me understand music theory. I tried learning a few times by myself, but that always ended in frustration.
Then I found this book. "Music Theory for Guitarists" is the most in-depth, intuitive, and well thought out book on the subject that I have ever come across. After reading this book and completing the exercises in it, I now feel confident in my grasp of music theory in a way I thought would never happen.
This book deftly guides the reader through the journey from the most basic of basics to much more complex topics, such as chord substitution and reharmonization. It also includes an entire chapter on learning to find the key center of songs, which is an incredibly useful skill to have since you can't always tell by ear what key you are in.
Perhaps the most in depth part of this book...the author analyzes the major and minor scales, and all of their modes, in depth. He gives each scale and mode its own section, discussing the nuances of what sets each apart from the others, and giving ideas for how and when to apply it in real world situations. He also goes into detail about building and identifying chords and harmonizing the major and minor scales (a section that has completely reinvented the way I look at writing music.)
I cannot say enough about this book. It has opened my eyes to a subject I thought I was too "stupid" to grasp, and showed me that I was only unable to learn because it had never been presented to me correctly. If you have any weaknesses in your knowledge of music theory, I would strongly recommend that you take advantage of the goldmine of information found in this book. You will likely find yourself, as I have, seeing the language of music in a completely different light, and for the first time really seeing how all Western music is connected at the root.
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